Analysis – How Coralie Fargeat’s ‘Revenge’ deconstructs the male gaze through the lens of a subversive rape-revenge horror

In the world of Coralie Fargeat’s rough horror Revenge, the male gaze is getting poked in both of its eyes.

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Analysis – Christopher Nolan, Dunkirk and prioritising puzzles over people

Is there any humanity to Christopher Nolan? Does it matter that his films focus more on puzzles and mysteries than emotion?

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